The Life of Sir Philip Sidney, Kt.

[From the Dublin edition, 1739.]

This Marcellus of the English nation, Sir Philip Sidney, the short-lived ornament of his noble family, hath deserved, and, without dispute or envy, enjoyed, the most exalted praises of his own, and of succeeding ages. The poets of his time, especially Spenser, reverenced him, not only as a patron, but a master; and he was almost the only person in any age, I will not except Mecaenas, that could teach the best rules of poetry, and most freely reward the performances of poets. He was a man of a sweet nature, of excellent behaviour, of much, and, withal, of well-digested learning, so that rarely wit, courage, breeding, and other additional accomplishments of conversation, have met in so high a degree in any single person.[3]

Sir Henry Sidney, his father, was a man of excellent natural wit, large heart, sweet conversation; and such a governor as sought not to make an end of the state in himself, but to plant his own ends in the prosperity of his country. Witness his sound establishments, both in Wales and Ireland, where his memory is worthily grateful unto this day.

On the other side, his mother, as she was a woman, by descent, of great nobility (the Lady Mary, eldest daughter of John Dudley, Duke of Northumberland), so was she by nature of a large ingenious spirit.[4] He was born at Penshurst, in the county of Kent, on the 29th day of November, in the year 1554, and had his Christian name given him by his father, from King Philip, then lately married to Queen Mary. While he was very young, he was sent to Christ Church College in Oxford to be improved in all sorts of learning; where continuing till he was about seventeen years of age under the tuition of Dr Tho. Thornton, canon of that house, he was, in June 1572, sent to travel; for on the 24th of August following, when the massacre fell out at Paris, he was then there, and at that time, as I conceive, he, with other Englishmen, did fly to the house of the ambassador from the Queen of England.[5] Thence he went through Lorraine, and by Strasburg and Heidelburg to Frankfort, in September or October following, where he settles, is entertained agent for the Duke of Saxony, and an underhand minister for his own king. Lodged he was in Wechel’s house, the printer of Frankfort.[6] Here he was accompanied by the famous Hubert Languet; and in the next spring, 1573, Languet removed to Vienna, where our author met him again, and stayed with him till September, when he went into Hungary and those parts. Thence he journeyed into Italy, where he continued all the winter following, and most of the summer, 1574, and then he returned into Germany with Languet; and the next spring he returned by Frankfort, Heidelburg, and Antwerp, home into England, about May 1575.

In the year 1576 he was sent by the Queen to Rodolph, the Emperor, to condole the death of Maximilian, and also to other princes of Germany; at which time he caused this inscription to be written under his arms, which he then hung up in all places where he lodged:—

“Illustrissimi et generosissimi viri

Philipi Sidnaei, Angli,

Pro-regis Hiberniae filii, Comitum Warwici

Et Leicestriae Nepotis, serenissimi

Reginae Angliae ad Caesarem legati.”

The next year, 1577, in his return, he saw that gallant Prince Don John de Austria, Viceroy of the low countries for the King of Spain, and William, Prince of Orange; by the former of which, though at first he was lightly esteemed upon the account of his youth, yet, after some discourse, he found himself so stricken with him that the beholders wondered to see what tribute that brave and high-minded prince paid to his worth, giving more honour and respect to him, in his private capacity, than to the ambassadors of mighty princes.

In the year 1579 he, though neither magistrate nor counsellor, did show himself, for several weighty reasons, opposite to the Queen’s matching with the Duke of Anjou, which he very pithily expressed by a due address of his humble reasons to her, as may be fully seen in a book called “Cabala” (Part III., p. 201). The said address was written at the desire of some great personage—his Uncle Robert, I suppose, Earl of Leicester, upon which a great quarrel happened between him and Edward Vere, Earl of Oxford. This, as I conceive, might occasion his retirement from Court next summer, 1580, wherein, perhaps, he wrote that pleasant romance called “Arcadia.”[7]

In 1581 the treaty of marriage was renewed, and our author, Sidney, with Fulke Greville,[8] were two of the tilters at the entertainment of the French Ambassador; and at the departure of the Duke of Anjou from England, in February of the same year, he attended him to Antwerp.[9]

On the 8th of January 1582 he, with Perigrine Bertie, received the honour of knighthood from the Queen, and in the beginning of 1585 he designed an expedition with Sir Francis Drake into America, but being hindered by the Queen (in whose opinion he was so highly prized that she thought the Court deficient without him) he was, in October following, made Governor of Flushing—about that time delivered to the Queen for one of the cautionary towns—and General of the Horse. In both which places of great trust his carriage testified to the world his wisdom and valour, with addition of honour to his country by them; and especially the more, when in July 1586 he surprised Axil, and preserved the lives and honour of the English army at the enterprise of Gravelin: so that whereas (through the fame of his high deserts) he was then, or rather before, in election for the Crown of Poland, the Queen of England refused to further his advancement, not out of emulation, but out of fear to lose the jewel of her times. What can be said more? He was a statesman, soldier, and scholar—a complete master of matter and language, as his immortal pen shows. His pen and his sword have rendered him famous enough: he died by the one, and by the other he will ever live as having been hitherto highly extolled for it by the pens of princes. This is the happiness of art, that although the sword doth achieve the honour, yet the arts do record it, and no pen hath made it better known than his own in that book called “Arcadia.” Certain it is, he was a noble and matchless gentleman, and it may be justly said, without hyperbole or fiction, as it was of Cato Uticensis, that “he seemed to be born to that only which he went about.” His written works are these:—

The Countess of Pembroke’s “Arcadia,”[10] which being the most celebrated romance that was ever written, was consecrated to his noble, virtuous, and learned sister Mary, the wife of Henry, Earl of Pembroke, who, having lived to a very fair age, died in her house in Aldersgate Street, in London, the 25th of September 1621, whereupon her body was buried in the cathedral church of Salisbury, among the graves of the Pembrochian family. This “Arcadia,” though then, and since, it was, and is, taken into the hands of all ingenious men, and said by one living at, or near, the time when first published, to be “a book most famous for rich conceits and splendour of courtly expressions.” This work was first printed in the year 1613 in quarto; it hath been translated into French, Dutch, and other languages in 1624.

Besides Astrophel and Stella,[11] A Remedy for Love, The Defence of Poesy,[12] Sonnets, etc., Sir Philip also turned the Psalms of David into English verse, which are in manuscript in the library of the Earl of Pembroke at Wilton, curiously bound in a crimson velvet cover, left thereunto by his sister Mary, Countess of Pembroke.[13]

The following dialogue, composed by our author, was spoken between two shepherds in a pastoral entertainment before several gentlemen and ladies at the seat of the noble family above mentioned.

Will. Dick, since we cannot dance, come, let a cheerful voice

Show that we do not grudge at all, when others do rejoice.

Dick. Ah, Will, though I grudge not, I count it feeble glee,

With sight made dim with daily tears, another’s sport to see.

Whoever lambkins saw (yet lambkins love to play)

To play when that their loved dams are stoll’n or gone astray?

If this in them be true, as true in men, think I,

A lustless song, forsooth, thinks he, that hath more lust to cry.

Will. A time there is for all, my mother often says,

When she, with skirts tuck’d very high, with girls at stoolball plays.

When thou hast mind to weep, seek out some smoky room:

Now let those lightsome sights we see, thy darkness overcome.

Dick. What joy the joyful sun gives unto bleared eyes,

That comfort in these sports you like, my mind his comfort tries.

Will. What! is thy bagpipe broke? or are thy lambs miswent?

Thy wallet or thy tar-box lost? or thy new raiment rent?

Dick. I would it were but thus, for thus it were too well.

Will. Thou seest my ears do itch at it; good Dick, thy sorrow tell.

Dick. Hear then, and learn to sigh; a mistress I do serve,

Whose wages make me beg the more, who feeds me till I starve,

Whose livery is such, as most I freeze apparelled most,

And look! so near unto my cure, that I must needs be lost.

Will. What? these are riddles sure; art thou then bound to her?

Dick. Bound as I neither power have, nor would have power to stir.

Will. Who bound thee?

Dick. Love, my lord.

Will. What witnesses thereto?

Dick. Faith in myself, and worth in her, which no proof can undo.

Will. What seal?

Dick. My heart deep graven.

Will. What made the band so fast?

Dick. Wonder, that by two so black eyes the glittering stars be past.

Will. What keepeth safe thy band?

Dick. Remembrance is the chest

Lock’d fast with knowing that she is of worldly things the best.

Will. Thou late of wages ’plainst: what wages mayst thou have?

Dick. Her heav’nly looks, which more and more do give me cause to crave.

Will. If wages make you want, what food is that she gives?

Dick. Tear’s drink, sorrow’s meat, wherewith, not I, but in me my death lives.

Will. What living get you then?

Dick. Disdain; but just disdain:

So have I cause myself to plain, but no cause to complain.

Will. What care takes she for thee?

Dick. Her care is to prevent

My freedom with show of her beams, with virtue my content.

Will. God shield us from such dames. If so our downs be sped

The shepherds will grow lean, I trow, their sheep will be ill fed;

But, Dick, my counsel mark: run from the place of woe;

The arrow being shot from far doth give the smaller blow.

Dick. Good Will, I cannot lack the good advice, before

That foxes leave to steal, because they find they die therefore.

Will. Then, Dick, let us go hence, lest we great folks annoy;

For nothing can more tedious be, than ’plaint in time of joy.

Dick. Oh, hence! O cruel word! which even dogs do hate;

But hence, even hence, I must needs go—such is my dogged fate.

To return again to Sir Philip.

In the year 1586,[14] when that unfortunate stand was made against the Spaniards before Zutphen, the 22nd of September, while he was getting upon the third horse, having had two slain under him before, he was wounded with a musket shot out of the trenches, which broke the bone of his thigh. The horse he rode upon was rather furiously choleric than bravely proud, and so forced him to forsake the field, but not his back, as the noblest and fittest bier to carry a martial commander to his grave. In which sad progress, passing along by the rest of the army, where his uncle,[15] the general, was, and, being thirsty with excess of bleeding, he called for drink, which was presently brought him; but, as he was putting the bottle to his mouth, he saw a poor soldier carried along, who had eaten his last at the same feast, ghastly casting up his eyes at the bottle, which Sir Philip perceiving, took it from his head before he drank, and delivered it to the poor man, with these words: “Thy necessity is yet greater than mine.” And when he had pledged this poor soldier, he was presently carried to Arnheim, where the principal surgeons of the camp attended for him. When they began to dress his wounds, he, both by way of charge and advice, told them that, while his strength was yet entire, his body free from fever, and his mind able to endure, they might freely use their art, cut, and search to the bottom; but if they should neglect their art, and renew torments in the declination of nature, their ignorance, or overtenderness, would prove a kind of tyranny to their friend, and, consequently, a blemish to their reverend science. With love and care well mixed they began the cure, and continued it some sixteen days, with such confidence of his recovery as the joy of their hearts overflowed their discretion, and made them spread the intelligence of it to the Queen, and all his noble friends here in England, where it was received, not as private, but public good news.

At the same time Count Hollock was under the care of a most excellent surgeon for a wound in his throat by a musket shot, yet did he neglect his own extremity to save his friend, and to that end had sent him to Sir Philip. This surgeon, notwithstanding, out of love to his master, returning one day to dress his wound, the Count cheerfully asked him how Sir Philip did? and he answered, with a heavy countenance, that he was not well. At these words the worthy prince, as having more sense of his friend’s wound than his own, cries out: “Away, villain! never see my face again, till thou bring better news of that man’s recovery, for whose redemption many such as I were happily lost.”

Now, after the sixteenth day was passed, and the very shoulder-bones of this delicate patient worn through his skin with constant and obedient posturing of his body to the surgeon’s art, he, judiciously observing the pangs his wound stang him with by fits, together with many other symptoms of decay, few or none of recovery, began rather to submit his body to these artists than any farther to believe in them. He called the ministers unto him, who were all excellent men, of divers nations, and before them made such a confession of Christian faith as no book, but the heart, can truly and feelingly deliver. Then, calling for his will, and settling his worldly affairs, the last scene of this tragedy was the parting between the two brothers: the weaker showing infinite strength in suppressing sorrow, and the stronger, infinite weakness in expressing of it. And to stop the natural torrent of affection in both, Sir Philip took his leave, with these admonishing words: “Love my memory, cherish my friends; their faith to me may assure you they are honest. But, above all, govern your will and affections by the will and word of your Creator; in me, beholding the end of this world, with all her vanities.” And with this farewell, desired the company to lead him away.

After his death, which happened on the 16th of October, the states of Zealand became suitors to her majesty and his noble friends, that they might have the honour of burying his body at the public expense of their government.[16] This was not permitted; for soon after his body was brought to Flushing, and, being embarked with great solemnity on the 1st of November, landed at Tower Wharf on the 6th day of the same month. Thence it was conveyed to the Minories without Aldgate, where it lay in state for some time, till his magnificent funeral in St Paul’s Cathedral, the 16th of February following, which, as many princes have not exceeded in the solemnity, so few have equalled in the sorrow for his loss. He was buried near to that place which his father-in-law, Sir Francis Walsingham, had designed (as I have heard) to be entombed in, without any monument or inscription. King James honoured him with an epitaph of his composition, and the Muses, both of Oxford and Cambridge, lamenting much for his loss, composed verses to his memory. Besides, several private persons did also exercise their fancies upon this occasion; for, so general was the lamentation, that it was accounted a sin for any gentleman of quality, for many months after, to appear at court or city in any light or gaudy apparel.

No monument hath since been erected over him, whereof this reason is assigned, that “He is his own monument, whose memory is eternised in his writings, and who was born into the world to show unto our age a sample of ancient virtues.”[17]

He left behind him a daughter named Elizabeth, who was born in 1585. She married Roger Mannours, Earl of Rutland, but died without issue.[18]

I confess it is commonly reported that Sir Philip,[19] some hours before his death, enjoined a near friend to consign these his works to the flames, whereby posterity had been deprived of much pleasure and profit accruing thereby. What promise his friend returned herein is uncertain; but if he broke his word to be faithful to the public good, posterity will absolve him, without doing any penance, for being guilty of such a meritorious offence, wherewith he hath obliged so many ages. Hear the excellent epigrammatist, Owen, hereon:—

“Ipse tuam moriens, vel conjuge teste, jubebas

Arcadiam saevis ignibus esse cibum.

Si meruit mortem, quia flammam accendit amoris;

Mergi, non Uri debuit iste liber.

In librum quaecunque cadat sententia; nullâ

Debuit ingenium morte perire tuum.”

As the ancient Egyptians presented secrets under their mystical hieroglyphics, so that an easy figure was exhibited to the eye, and a higher notion tendered under it to the judgment, so all the “Arcadia” is a continual grove of morality, shadowing moral and politic results under the plain and easy emblems of lovers, so that the reader may be deceived, but not hurt thereby, when surprised on a sudden to more knowledge than he expected.

I will not here endeavour to offer the reader a key to unfold what persons were intended under the fictitious denominations: herein must men shoot at the wild rovers of their own conjectures. And many have forged keys of their own fancies, all pretended to be the right, though unlike one to another. But, besides, it is an injury to impose guesses for truths on any belief; such applications, rather made than meant, are not without reflections on families, as may justly give distaste. I dare confidently aver that the wards of this lock are grown so rusty with time that a modern key will scarce unlock it, seeing in above a hundred years many criticisms of time, place, and person, wherein the life and lustre of this story did consist, are utterly lost, and unknown in our age.

Vita Philippi Sidnei.

“Qui dignos ipsi vitâ scripsere libellos

Illorum vitam scribere non opus est.

Sidnei in tumulo est, corpus non vita: Philippi

Producit vitam gloria, longa brevem.”

—Owen.